
Artwork courtesy Tex Fontanella and John M. Bennett
Ample Shed
Everything is shark when pulled back into the wrestled yard,
into the strong stance of a microphone. Ma Jolie and a photo
in the bus yard, in some old warehouse in a Denver built up
around Nintendo songs, built up around what is forward,
what is poetry scribbled in the margins of a second round,
scribbled in a crack of fire aboard a paper boat. Here we are
blue ghosts sliding down the drain of some enormous space,
here we are leopard-bound quarters in the urinal, a National
Association of Letter Carriers, fried eggplant and a bowl
of white rice. I died within the origin of harmless apps,
and all of the virtual flowers vied for conxtion, for a pair
of low tides on the snowy path, for an arc of rust over the world’s
capitols. The evolution of experimental psychology picks up leaves
pulled in around your shattered frame just as you insert your impurity
next to mine.