Metal Worker by Hanz Olson

duragesic-proliferation2

Artwork courtesy J. Zachary Rothstein

 

Metal Worker

Instinct wraps its forgotten in the sweaty lamplight,

and the heated trim asks of the dim bowl, the iron stage,

what dark task is drawn to half an owl and three dragonflies,

to the wispy knives in an old dartboard, a pool of fish

around a petal serving as the cape of memory, or what you

found it meant knocked down and stepped over. Arsis,

twin emblem of tea stain and bird song, harlequin of truth

“inside the heart of dream.”* In a shred of fantasy

and a reawakened collar, time, not your heart, hid an abyss

of bear hide and bird nest, day of carnival and fire, mist

and tree lifted by the future back wear of growth, lake stamp

and green spark back in the gear grass. A sighing of guitar

and kettle written in the labor, in the pink needle of the presale

of a curtain. What wildness holds down this rendering of leaves

anticipation spreads manikin to manikin?

*Lorca

 

 

January Swim by Hanz Olson

generations-painting4
Artwork courtesy J Zachary Rothstein

January Swim

I was familiar with the forested northland. The crew

numbering its work took a chance going outside.

Faint smoke and a gentle breeze, a circle of bright

eyes peering through the grey morning. It was a

matter of getting out to learn the forest; it was a

matter of being within reach of what we needed

to know our hearts were good. “But worse clouds

will come,” you said, “see that you bring him home.”

If the wind was in our favor, a bread box entered

the picture too. The gesture of the canoe pulled into

your plaited skirt. To love or dream, but never both.

Our thinking tucked benumbed hands into a showing

of impressive power. We were down in that forest

working on the page together, faces revealed in the sun,

faces unspeakably pure.

 

Note: This poem was composed using words and phrases found in John Muir’s essay “The Discovery of Glacier Bay.”